The Book of the Erinyes

Marbled Paper

Sunday August 23rd, 2009, by Paul Watson

Techniques for Marbleizing PaperOne of the ele­ments of the hand­made Book of the Erinyes will be the use of marbled paper — some­times on the out­side cover, and some­times on the endpapers/inside cover.

As with all the parts of the book, I’m determ­ined to make it all myself, so I bought myself a copy of Tech­niques for Marbleiz­ing Paper by Gab­ri­ele Grünebaum.

First I made an alum solu­tion, using 6 tea­spoons of Alum in 450ml of water. The alum solu­tion works as a mord­ant — it fixes the marb­ling col­ours onto the sur­face of the paper. After bring­ing the solu­tion to the boil then let­ting it cool, I sponged it lib­er­ally onto a num­ber of sheets of paper then left them overnight to dry.

The next day I pre­pared the marb­ling size, using 6 tea­spoons of Car­ra­gheen Moss Powder dis­solved in 4 pints of hand-hot water, and left it to cool before start­ing some exper­i­ments, fol­low­ing the pat­terns in Gab­ri­ele Grünebaum’s book.

I decided to use Acrylic Inks — they don’t require any dis­pers­ing agent to be added for marb­ling, and the pig­ments are strong enough to retain a good strong col­our even when spread across the sur­face of the size.  The ones I bought come with pipettes in the lids of the bottles, which made the pro­cess even easier.

I was fairly pleased with the res­ults, but I’m obvi­ously going to have to get a lot more prac­tice to con­trol the process.

Non­pareil pattern:

marble paper 1

Non­pareil pattern:

marble paper 2

Wavy Combed:

marble paper 3

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  1. lesley Says:

    Marb­ling paper is a very sat­is­fact­ory pas­time. We teach­ers can get kids to do it on the cheap, float­ing gloss house­p­aint or oilpaint mixed with white spirit onto water. We use mainly blue, then the child makes an illus­tra­tion on a sep­arar­ate sheet, per­haps them­selves swim­ming, then cuts it out and pastes it on top. Looks good! a tech­nique used by Roger Dean in the 70s.
    Another way is to float oily col­ours on water. Use an eye-dropper. Drop soapy water in the middle. The soap des­troys the sur­face ten­sion and imme­di­ately a cirular hole appears in the pat­tern. By care­fully adding more oily paint and more soap, a pat­tern of circles and rings can be made which is cooli-o.

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