The Book of the Erinyes

I was lucky enough to be on a business trip to New York again last week, and I so had the opportunity to visit the Center for Book Arts.

The Center is a great resource — they have a decent-sized Letterpress studio with several proof presses, an equally well-resourced Bindery area, an exhibition space (illustrated here in a photo from their website), and enough space left over for a small shop selling hand-bound chapbooks, broadsides, and exhibition catalogues.

But the main purpose of my visit was to see The Collaged Accordion — an exhibition of Star Black’s large-scale accordion books that merge found texts & photographs and ephemera.

Star’s  collaged accordion books are intricately layered with a fine sense of texture and the individual properties of the found images and materials. They combine echoes of Joseph Cornell’s boxes with a sensibility for the subtler textures and possibilities of paper.

I wish I could have spent a lot longer at the Center, but unfortunately I had to fly back to the UK that same day and had far too much to do.

If you get the chance to go to New York then the Center is definitely worth visiting.

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Yesterday I spent the day in London doing a whistle-stop tour of a few exhibitions as background research for the Book of the Erinyes.

Bookbinding at the V&A

First stop was the V&A in South Kensington to see a small display of Fine Bindings for the Man Booker Prize 2009 designed by the Society of Designer Bookbinders.

It’s only a small display (6 books) but it’s well worth seeing these bindings “in the flesh” as they’re great. The display can be found in Room 74 (20^th Century section) of the V&A until 21^st March 2010, and admission is free.

The binding illustrated here is by Rachel Ward-Sale. More information about all six bindings, their binders, and the techniques & materials used can be found on the Society of Designer Bookbinders website.

Ctrl.Alt.Shift Unmasks Corruption

After the V&A I headed up to Soho to see Ctrl.Alt.Shift Unmasks Corruption at the Lazarides Gallery in Greek Street — an exhibition of political comic book and graphic novel work by artists and writers including Dave McKean, Pat Mills, Peter Kuper, Janek Koza, Dan Goldman, and pop culture figures Lightspeed Champion and V V Brown.

I’m particularly fond of Dave McKean’s artwork—especially the magnificent Sandman covers—so it was great to see some of his larger-scale collages close-up.  His artwork on display was about the widespread corruption surrounding AIDS relief to villages in China.

Ctrl.Alt.Shift Unmasks Corruption is on until 28^th November 2009 at the Lazarides Gallery, Greek Street, London.  Admission is free.

Just got back from seeing Romilly Saumarez Smith: Bookbindings for Eileen Hogan at the V&A.
It’s a small exhibition, just outside the National Art Library, but it’s definitely worth a visit.

Obviously I was on the look-out for inspiration for binding the Book of the Erinyes, and Romilly Saumarez Smith didn’t let me down.

Romilly Saumarez Smith studied book binding and paper conservation at Camberwell School of Art and Crafts and went on to become the first female forwarder at Zaehnsdorf’s Bindery (Zaehnsdorf’s Bindery was taken over by Shepherds in 1998 and the bindery now trades under the single name of Sangorski & Sutcliffe.).  In the 1990s she began increasingly to use metal in her bindings, and gradually moved to making jewellery.

One of the innovative materials Saumarez Smith uses for binding is pillow ticking (the strong cotton fabric used to cover pillows and mattresses). The ticking is coloured with multi-layered washes of leather dye, backed with Japanese paper and rubbed with beeswax.  She also uses dye and wax resist techniques to great effect.

The exhibition at the V&A is on until 2^nd August 2009.  More details on the V&A website.